Firefly
2006-02-06 19:33:55.906019+00 by Dan Lyke 4 comments
In light of Diane's statement in the comments yesterday that she didn't know what "Firefly" was, and since there's been mention (1/2/3) of it here before.
Firefly was a TV show that aired 11 episodes (14, including a long pilot, were shot) and was canceled in 2002. Despite the fact that 14 episodes were shot, the pilot was apparently never aired, quite a bit of the story was aired out of order and... well... I can understand that nobody figured out how to market it, because, frankly, I'm still not sure why I find it so compelling. And if I'd seen it out of order, I'd probably not be nearly as anxious to find out what happens next.
Serenity was a 2005 movie with the same actors, characters and settings that (hopefully!) wrapped up a bunch of the Firefly storylines.
It's "Gunsmoke" or "Bonanza" meets "Star Trek" if Han Solo were Captain Kirk and the dialog were written for the live stage. At times I want to say it borders on ironic camp, but somehow it isn't, because even when the scenery and setting is pushing the boundaries of my credulity, the characters just have so damned much heart.
The setting is half a decade after the end of hostilities between the Alliance, the powers of civilization, and the denizens of the outlying colonies, somewhere on the borders of human expansion through space. Settlers on these newly terraformed planets and moons are living subsistence lives, with horses and dusty agriculture and six shooters, and livestock and fresh strawberries are the items valuable enough to be smuggled.
Enter the characters who live somewhere in the middle of this economy and its political situation, captain and crew of "Serenity", a Firefly-class spaceship (of which, we're told, there are forty thousand plying their way between these outer planets), paying for fuel and goods with whatever sorts of jobs they can pick up on the fringes (and apparently making a fairly good living, even though we only ever see the jobs gone wrong).
It's a character study with laugh out loud dialog, it's subtext in lines that seem to be saying exactly what you think the subtext already is, it's unabashed melodrama played straight, it's overwrought phrasing that's still in character for a strong silent type. It's a setting of absurd contrasts that somehow works.
Mal: "We're not gonna die. We can't die, Bendis. You know why? Because we are so...very...pretty. We are just too pretty for God to let us die."
And I'd tell you more, but I'm already regretting that I picked up some of the spoilers from the movie (and how long has it been since I've cared about spoilers in any medium?), so I'm being really careful to just read the Episode Guides (and associated scripts) for the episodes we've already seen. Because we're doing a bunch of "wait, what's that character's motivation..." type discussion, for which we've been referring back to the scripts.
So I can recommend tracking down the DVDs with the show on it and starting with the pilot episode. And if it feels a little campy, know that it accepts that, and even with that when Kaylee (the ship's mechanic) pats the side of the ship and says "that's my girl", there manages to be a hell of a lot more heart than when Heath says "I can't quit you, Jake" in Brokeback Mountain.
Firefly Wiki, IMDB page for Firefly the TV series, IMDB page for Serenity the movie.