[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
Re:
- To: <idrama@flutterby.com>
- Subject: Re:
- From: "Jason Joel Thompson" <jason@wildghost.com>
- Date: Wed, 31 Jan 2001 11:30:17 -0800
- References: <B6A03AF9.5B8%chriscrawford@wave.net>
- Sender: owner-idrama@flutterby.com
----- Original Message -----
From: Chris Crawford <chriscrawford@wave.net>
> > The paradigm
> > shift is to move from defining story as a description of past events, to
a
> > description of -current- events
>
> I must confess, your point is lost on me. To me, the operant term is
> "description", and whether the description is of past events or current
> events seems irrelevant to me.
Very relevant:
Past events: non-interactive
Current events: interactive
In the example you offer, the actors are
> indeed interacting with one other, but the audience enjoys no
interactivity
> whatever, whether they are witnessing it as it happens or after the fact.
The actors *are* the audience Chris.
Even individuals who weren't a part of the core 20 were still actively
present in the environment and fully capable of altering the flow of events
around them.
Sure, I suppose someone could just sit on a chair and watch the events
unfold-- this is merely an example of someone making a choice to not
interact.
But its not like people would ignore you if you were sitting there-- like it
or not your presence would have an impact.
- References:
- Re:
- From: Chris Crawford <chriscrawford@wave.net>